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NAOMIE HATHERLEY
KEEPING SCORE
07 JULY 2021 - 24 JULY 2021
GALLERY 1
Naomie Hatherley, 'Heretic', 2020, acrylic on board. 30x20cm.

Keeping Score explores the intersection of the female form in art and sport. Women in art and sport are rarely united in feminist dialogue, yet they share parallel historical narratives that reveal an undaunted tenacity fuelled by drive and determination.

In homage to the women’s game, Keeping Score celebrates the female form as an active subject of strength, stamina, endurance and physicality as a counterpoint to the historically conventional objectified feminine form as a passive, soft receptacle of desire.

To this end, tin score plates ‘keep score’ and account for key dates and numbers of the women’s game in Australia along with paintings that draw upon the emotional intensity of the colour field and process-driven action painting of the abstract expressionists. The small tin score plates once used to score regional matches represent the players as ghosts inside the numbers; once lost to AFL history. 

Outside the numbers however, their bodies are united in monochromatic colour – no longer passive observers, but now active participants to be seen and counted. 

I am a multidisciplinary feminist artist, mother and educator and occasional curator residing on Yawuru country, Rubibi (Broome). My practice seeks to challenge and contest dominant Australian Values/Attitudes/Beliefs concerning identity and gender norms through painting, drawing, sculpture, textile, installation and performance. I completed an MVA (Monash 2012), a Bachelor of Arts/Fine Arts (UWA, 1994). In 2020, I completed two FAC residencies to develop my current body of work on women’s football (Australian Rules); awarded in both the Kimberley Art Prize 2018 &19 and Shinju Art Awards 2018 & 20 and selected for the John Curtin Alternative Archive regional art survey exhibition (May 2021). I have been invited to participate in Form’s 2019 Hedland Art Prize, received High commendations at the Minnawarra Art Prize (2010 & 2011) and invited to exhibit Bunbury Regional Art Gallery’s South West Showcase (Spin Cycle 2010), followed by Heathcote Museum and Gallery (Spin Cycle 2012).