Through sculptural and photographic works, Light marks is centred around attempts to re-examine and recapture the fleeting and impermanent, be it a memory, a place, or a feeling. The work engages with the failure to return to or hold onto such experiences as they are distanced through time.

In these works, sites become literal and symbolic containers for locating emotions both personal and universal. Places of significance are revisited physically, through gathered objects and materials and through the photographic. Acts of collecting, tracing, etching and casting are used in efforts to transfer these intangible experiences into physical forms, and the resulting wax and bronze sculptures act as attempts to embody time within a material form.