A photograph of a rectangular, translucent jelly resting on a flat, square metal stool. Several pieces of craft wire of various lengths are embedded into the top of the jelly towards its centre, bent into arcs, with the end of each arc stuck into the jelly. Each piece of wire is parallel to the longest side of the jelly. Fine golden mesh fabric hangs down from outside the frame, resting against the craft wire and going underneath the jelly, covering the surface of the stool. Specks of golden glitter are stuck in the fabric. The jelly is in focus while the top third of the photo is occupied by the fabric, which recedes into the background.
ELLA VALENTINE BUNKER
WISHING SWEET RHYTHM BACK
28 MAY – 18 JUNE 2022
A fluffy fuzzy thick square of crème carpet with dangly dready bits at the sides. There are random squiggly lines and colours bubbling up on the surface, some of the squiggly shapes look like flowers.
CLARE WOHLNICK
UNTITLED
28 MAY – 18 JUNE 2022
Arranged in this composition by Spencer Lai are layers of dark grey wool, perspex, staples, purple plastic, vintage Kanzashi celluloid hair ornaments, screws and eyelets. In the bottom left corner, this work has a bear made from plastic filled with various items such as a piece of Chanel gift ribbon, a dragonfly wing and sequins.
HOLLY CHILDS + GEDIMINAS ŽYGUS, EJ SON, DANIEL JENATSCH & SPENCER LAI
HUDDLING, FRIENDS WITH THERMAL BENEFITS
28 MAY – 18 JUNE 2022
A self-portrait of Bec in drag. Two identical blonde people with heavy sultry makeup with their four arms wrapped around a stack of Quilton toilet paper value packs. Bec is wearing a red shirt and a silver watch. One of their faces is poking their tongue out. The background is a black, red and white digital scribble.
BEC O’NEIL AKA R.GOO (1999–2021)
RAVE/RIOT
30 APRIL – 21 MAY 2022
A close-up of a painting showing a number of purple, red, pink and brown splats made by the impact of mulberries on the surface of a sheet of white paper. The splats are close in density with some colours and shapes splattering across others.
SHAYNE O’DONNELL
CONSTANT KEENING TO WHISPERED LAMENTS
30 APRIL – 21 MAY 2022
A black and white portrait showing Nidal, an African woman, playing a small Djembe instrument while standing in front of a tree and surrounded by nature. She is dressed in African attire, with a scarf tied on her head, a blouse, a clothing wrapper and jewellery on her fingers, neck and ears. She is looking away from the camera.
TAB FAMILY: THIS IS FAMILY
30 APRIL – 21 MAY 2022
A colour photograph showing a semi-deflated black and white plastic whale toy hanging on a wall.
PEAK WHALE OIL
2–23 APRIL 2022
A person wearing a suit is holding a book, as if giving a sermon. They stand in large white hall. On the wall behind them glass windows have coloured glass panels on the lower segments. Above their head sits a red neon cross. They face rows of empty chairs over which light streams through the side window, illuminating streams of dust in the air.
WEIGHT/WAIT
2–23 APRIL 2022
A video still showing a bronze coffee pot on a black ceramic cooktop, encircled by a heated red ring with steam rising. A subtitle in yellow reads: The Oracle was indeed a navel in the sense that it was a cavity, a cleft, a crack in the earth.
ENA GROZDANIĆ
MO(U)RNING RITUALS
5–26 MARCH 2022
A painting of a young Chin man and woman in traditional Chin costumes made of woven materials. The man is holding a gun in one hand and making a civil disobedience hand gesture (with three fingers: index, middle and ring finger) with the other hand. The woman is holding a bow and arrow in one hand and making the same civil disobedience hand gesture with the other.
ANONYMOUS & VAN THA RAHTIN
WE WILL NOT BE FORGOTTEN
5–26 MARCH 2022
A digital colour photograph showing the corner of a garden at sunrise. Tall weeds approximately 500mm high cover the entire ground area that is dotted with various random objects poking through; an old brown chimney flue, the structure of an old green swing set upon which rests a long white PVC pipe, and a black plastic chair half hidden behind the weeds. The weeds are dewy and predominantly green, suggesting it is wintertime. The colours of the weeds range from dark browny purples to green and mauve, and are in full bloom with lots of seed heads. Fluffy green fennel leaves occupy the foreground. A timber overhead structure partially enters the scene to the left, that is attached to a smaller DIY wire and metal post. Two mature fig trees that are starting to bud sit in front of a boundary corner, in front of where a bore-stained fibro fence and dark Colorbond fence meet at a corner. The tops of trees are visible in the background beyond the fence line.
MKTICKS
BIOPHILIA: THE NEED TO BE CLOSE TO NATURE
5–26 MARCH 2022
Murtikajarra is a soak located in the Percival Lakes region. This site lies within Ngarga’s ngurra (home Country, camp), the area which she knew intimately and travelled extensively with her family in her youth. The Percival Lakes form a string of ephemeral salt lakes in the north of Western Australia, extending across a distance of 350km. They lie at the southern region of the Great Sandy Desert and east of Karlamilyi National Park. The Canning Stock Route runs in close proximity to some of the lakes, and crosses the salt pan of Tobin Lake near the eastern end. This region was formed by Wirnpa, one of the most powerful of the ancestral jila (snake) men and the last to travel the desert during the Jukurrpa (Dreaming). Wirnpa is a rainmaking jila who lived and hunted in the Percival Lakes area. His travels are described in the songs and stories of many language groups across the Western Desert, even those far removed from his home site. In his epic travels, Wirnpa met and feasted with many other ancestral beings, exchanged ceremonial objects, and created a series of different laws and ceremonies. When he finally returned home, he searched for his many children only to discover that they had already died. They had laid down and become the salt springs of the Percival Lakes. Wirnpa wept for his children before himself transforming into a snake and entering the soak where he still resides.
MARTUMILI ARTISTS
PAPER WANGKA (PAPER STORY)
5–26 MARCH 2022
A thermal-imagined drawing of the aerodynamics in which a bunny moves with speed. The gradients peek into the aura felt with a rush of adrenaline.
RUSTY
DANDY FLEUR
4–26 FEBRUARY 2022
A close-up shot of a weaving made from frayed strips of a stained white bed sheet. Small faded metallic stains are spattered, varying from grey to reddish-brown. The white strips are tightly woven together to create an opaque grid pattern.
SOPHIE G NIXON
MANY THREADS
4–26 FEBRUARY 2022
A figurative painting on fabric of three young women holding each other’s shoulders while standing in a line. Their eyes look towards the viewer and there are two snakes at the bottom of the painting, one red and one blue. The fabric support is patterned with a light purple and pink design that can be seen through the layers of paint.
LEOCARDIA NYAMAYARO
EMBODY
4–26 FEBRUARY 2022
Emily Portmann, "Hold Tight II", 2021, video still
EMILY PORTMANN
HOLD TIGHT
27 NOVEMBER 2021 - 18 DECEMBER 2021
Dionne Hooyberg, "BP", 2021, ceramic, pencil, plastic, 30x26x6 cm (detail)
DIONNE HOOYBERG
PANIC YEARS
27 NOVEMBER 2021 - 18 DECEMBER 2021
Jedda-Daisy Culley, "9D AA II", 2021, oil on linen, 74 x 54cm.
JEDDA-DAISY CULLEY
FAIRY'S FROGS AND BIG ANGRY FLOATING BABIES
27 NOVEMBER 2021 - 18 DECEMBER 2021
Annie Huang, "In Between Spaces", 2021, still from animation.
ANNIE HUANG
IN BETWEEN SPACES
27 NOVEMBER 2021 - 18 DECEMBER 2021
Jess Day, 'The art of making fire', 2021, straps, buckles, heat reflective material, zips, waterproof tarpaulin, cotton drill, ropes, grommets.
JESS DAY
HOPE FOR THE BEST, PREPARE FOR THE WORST
30 OCTOBER 2021 - 20 NOVEMBER 2021
Valerie Weyland, 'A Cosmic Return of the Living Mother', 2021
VALERIE WEYLAND
A COSMIC RETURN TO THE LIVING MOTHER
30 OCTOBER 2021 - 20 NOVEMBER 2021
Dan Bourke, Research for 'A Dream Is a Wish Your Heart Makes' (Disney Baseball Cap), 2021. Found image.
DAN BOURKE
A DREAM IS A WISH YOUR HEART MAKES
30 OCTOBER 2021 - 20 NOVEMBER 2021
Zamara Zamara, 'Gorgon spawn', 2019, digital illustration
ZAMARA ZAMARA
MADE JAGGED
02 OCTOBER 2021 - 23 OCTOBER 2021
Shanti Gelmi, 'Shadowed' (detail) 2021, found objects, paper sculpture, toys, cotton, dimensions variable. Photo: Royce Gelmi.
SHANTI GELMI
SHADOWED
02 OCTOBER 2021 - 23 OCTOBER 2021
Rusty, 'A Mothers Spot', 2021, mixed media, A4.
STUDIO KIIN
HAUS OF MEMORIES
02 OCTOBER 2021 - 23 OCTOBER 2021
Losslsess-1
SHANICE MWATHI
SOUL ALPHABET: PROJECT 54
04 SEPTEMBER 2021 - 26 SEPTEMBER 2021
SARAH
JEAN PAUL TERRENCE
SOUL ALPHABET: PROJECT 54
04 SEPTEMBER 2021 - 26 SEPTEMBER 2021
Ayo-Busari-4
MOHAMMED 'AYO BUSARI'
SOUL ALPHABET: PROJECT 54
04 SEPTEMBER 2021 - 26 SEPTEMBER 2021
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ANESUA TICHARWA
SOUL ALPHABET: PROJECT 54
04 SEPTEMBER 2021 - 26 SEPTEMBER 2021
Our snakes, Our problem
LEOCARDIA NYAMAYARO
SOUL ALPHABET: PROJECT 54
04 SEPTEMBER 2021 - 26 SEPTEMBER 2021
Linda Loh. Beyond Agog. 2021. HD Video. 2:40mins.
LINDA LOH
BEYOND AGOG
06 AUGUST 2021 - 28 AUGUST 2021
Fiona Gavino. The neighbourhood is not merchandise. 2018. Relief print with handwoven grass lettering on hahnemuhle. 775 x 530mm.
FIONA GAVINO
NOT SHOUTING ASKING
06 AUGUST 2021 - 28 AUGUST 2021
Benjamin Bannan, Untitled (Saint Francis of Assisi Receiving the Stigmata), 2021, 4k video with sound (detail, video still), 10:58mins. Visual effects: Jack Caddy and Pablo Tochez Anderson. Soundtrack: Rachel Salmon-Lomas and Lia Tsesmelis.
BENJAMIN BANNAN
DEMARCATIONS
06 AUGUST 2021 - 28 AUGUST 2021
Mossy Jade Johnson. Love. 2021. Acrylic and aerosol on canvas. 92 x 92cm.
MOSSY JADE JOHNSON
GIRL NEXT DOOR
06 AUGUST 2021 - 28 AUGUST 2021
Azadeh Hamzeii, 'A Tool is a Tool', 2021. JPEG. Photograph by Dr. Chris Bennie (The Walls Art Space).
AZADEH HAMZEII
A TOOL IS A TOOL
07 JULY 2021 - 24 JULY 2021
Phoebe Kelly, 'From my garden', 2020, bronze cast sage leaves. Photographed by Phoebe Kelly.
PHOEBE KELLY
LIGHT MARKS
07 JULY 2021 - 24 JULY 2021
Tyrown Waigana, 'Traffic Jam, Its Not Spreadable' 2021, polymer clay, painted in acrylic with a steel and aluminium frame, 270mm x 250mm x 180mm.
TYROWN WAIGANA
MORALITY ISN'T RELEVANT
07 JULY 2021 - 24 JULY 2021
Naomie Hatherley, 'Heretic', 2020, acrylic on board. 30x20cm.
NAOMIE HATHERLEY
KEEPING SCORE
07 JULY 2021 - 24 JULY 2021
Photograph by Brandon Ward, digitally altered by Chloe Nolan.
CHLOE NOLAN
SKHĒMA
05 JUNE 2021 - 26 JUNE 2021
Clara Joyce, ‘Blue Slick’, acrylic stain on canvas, 390 x 350 cm angle shot. Image courtesy of the artist.
CLARA JOYCE
VITALISE SURFACE, CLOTHING THE SCREEN
05 JUNE 2021 - 26 JUNE 2021
Leonie Ngahuia Mansbridge, ‘Fresh rain drops’, 2021, synthetic on board, antique frame, 30 x 30 cm. Photographer Eva Fernandez.
DR LEONIE NGAHUIA MANSBRIDGE
“HE PIKO,HE TANIWHA,HE PIKO HE TANIWHA" “MIDDLE OF NOWHERE BUT A PLACE OF SOMEWHERE”
05 JUNE 2021 - 26 JUNE 2021
Benjamin Barretto, 'Scan 9', 2021, JPEG. Dimensions variable.
BENJAMIN BARRETTO
THE TURQUOISE
05 JUNE 2021 - 26 JUNE 2021
Artist portraits featuring Jack Wansbrough (left) and Lill Colgan (right). Image courtesy of the artist.
LILL COLGAN & JACK WANSBROUGH
SLACKENING TENSION OF THE SOUL
08 MAY 2021 - 29 MAY 2021
Megan Hyde, still from ‘A Sea Change’, 2020-2021, video with sound [30:00]. Image courtesy of the artist.
MEGAN HYDE
UNDER THE MIRRORED MOON
08 MAY 2021 - 29 MAY 2021
Orson Heidrich, ‘Multispec - Form (AR Render)’, 2020, sandcast aluminium, 1350 x 950 mm. Image courtesy of the artist.
ORSON HEIDRICH
MULTISPEC
08 MAY 2021 - 29 MAY 2021
Ivetta Sunyoung Kang, Proposition 1: Hands, 2020. Single-channel video, 04:33 min. Performed by Ivetta Sunyoung Kang and Eric Dong Ho You.
IVETTA SUNYOUNG KANG
PROPOSITION 1: HANDS
10 APRIL 2021 - 01 MAY 2021
Ryan Andrew Lee. Wonnarua. 2019. Two Channel Video. Dimensions Variable. 2:01.
RYAN ANDREW LEE
WONNARUA
10 APRIL 2021 - 01 MAY 2021
Mark du Potiers. Yellow Peril, Yellow Fever. 2018-2021. Sculpture: textiles, twine, pegs. Site-specific installation; dimensions variable. Image courtesy of the artist
MARK DU POTIERS
YELLOW PERIL, YELLOW FEVER
10 APRIL 2021 - 01 MAY 2021
Trees of Dryandra. Image Credit, Simon Charles
KATIE WEST, SIMON CHARLES, JOSTEN MYBURGH
LISTENING TO DRYANDRA WOODLAND: AUDIBLE EDGE FESTIVAL
10 APRIL 2021 - 01 MAY 2021
Leila Doneo Baptist, Five Exotic Fruits You Haven’t Tried: This Is Not A Self Portrait (video still), 2019. Image courtesy the artist.
PONY, LEILA DONEO BAPTIST, CLAUDIA NICHOLSON, JADE O'SULLIVAN, ANDREW J WILLIAMS, CHILUBA YOUNG
THE HANDS SHOULD HAVE NO PEACE
19 FEBRUARY 2021 - 27 MARCH 2021
Cedar Rankin-Cheek, 'Femmebags', 2020, fabric, recycled PET fibre, thread, rubber, dimensions variable. Photographed by Ben Nixon.
CEDAR RANKIN-CHEEK, ISABELLA ROSSARO, ZOË SYDNEY
SELECTED WORKS
28 NOVEMBER 2020 - 19 DECEMBER 2020
Shannon Marlborough, Table Arrangement (exhibition view), looped single channel video. Image courtesy of the artist.
SHANNON MARLBOROUGH
MARQUEE
28 NOVEMBER 2020 - 19 DECEMBER 2020
Sam Huxtable, ‘Value Unknown 3’, 2020, mixed media. Image courtesy of the artist.
SAM HUXTABLE
VALUE UNKNOWN
28 NOVEMBER 2020 - 19 DECEMBER 2020
Graham Mathwin, ‘13 years in a waking dream’, 2020, digital image. Image courtesy of the artist.
GRAHAM MATHWIN
CONTIGUOUS VIEWS OF PASSING SCENERY
28 NOVEMBER 2020 - 19 DECEMBER 2020
Opie Robinson, 2020, Body/Vehicle Halftone_1 (detail), digital image. Image courtesy of the artist.
OPIE ROBINSON
GASSED UP
31 OCTOBER 2020 - 21 NOVEMBER 2020
Lia McKnight, 2020, Homely (detail), ink-stained vintage dresser, silk organza and found objects, dimensions variable. Image courtesy of the artist.
LIA MCKNIGHT
HOMELY
31 OCTOBER 2020 - 21 NOVEMBER 2020
Ellen Broadhurst & Tom Rogers, 2020, Legally Speaking (film still), rotoscoped animation. Image courtesy of the artists.
ELLEN BROADHURST & TOM ROGERS
LEGALLY SPEAKING...
31 OCTOBER 2020 - 21 NOVEMBER 2020
Woody Mellor, Untitled (Ewing Kindergarten), 1994, paint pen and homesickness on ceramic tile, 17 cm x 17 cm. Image courtesy of the artist.
WOODY MELLOR, LILLY KAISER, 'THE WOOD BROTHERS' (ANDREW & DAVID WOOD)
IF I HAD THE WORLD TO GIVE
03 OCTOBER 2020 - 24 OCTOBER 2020
Amy Perejuan-Capone, 'Harness 1 (detail)', 2020, nylon and brass, 40 cm x 100 cm. Image courtesy of the artist.
AMY PEREJUAN-CAPONE
ALMOST SHADOW
03 OCTOBER 2020 - 24 OCTOBER 2020
Joanne Richardson, Opulent Slum Queen: Caltex Star (keys), 2020, digital image, dimensions variable. Photograph by Scott Northcott.
JOANNE RICHARDSON
IF YOU MUST LEAVE YOUR HOUSE FOR SUPPLIES, PLEASE BE COURTEOUS AND WEAR AN ECCENTRIC OUTFIT... - @JENNYENICHOLSON
03 OCTOBER 2020 - 24 OCTOBER 2020
Ailsa Waddell & Kelsey Diamond, 'Found' (excerpt), 2019, found objects, pencil, dimensions variable. Image courtesy of the artists, photographer unknown.
AILSA WADDELL & KELSEY DIAMOND
WOBBLE. HOLD. STEADY.
5 SEPTEMBER 2020 - 26 SEPTEMBER 2020
Oliver-Max Taylor, 'Untitled', 2019, photograph, 42cm x 59cm. Image courtesy of the artist.
OLIVER-MAX TAYLOR
LIMP WRISTED
5 SEPTEMBER 2020 - 26 SEPTEMBER 2020
Megan Shaw, 'Macramight', 2020, mixed media, 60cm x 27cm. Image courtesy of the artist.
MEGAN SHAW
SUPERNORMAL STIMULI
5 SEPTEMBER 2020 - 26 SEPTEMBER 2020
Image: 415 Parts Per Million (exhibition view), School House Gallery, Rosny Farm, 2019. Photograph by Jess Boyce.
415 PARTS PER MILLION
7 MARCH 2020 - 28 MARCH 2020
Liam Kennedy, 'Astrid', 2019, Gouache, 20cm x 20cm. Image courtesy of the artist.
LIAM KENNEDY
EXALTATION - DOGS
08 FEBRUARY 2020 - 29 FEBRUARY 2020
Bernadette Klavins, 'study of act II' (detail), 2019, pewter, 150 cm x 150 cm x 100 cm. Image courtesty of Sam Roberts.
BERNADETTE KLAVINS
MELTING ACT
08 FEBRUARY 2020 - 29 FEBRUARY 2020
Imogen Kotsoglo, 'ELD 1 19' (detail), 2019, ink on arches aquarelle 300gsm. Image courtesy of the artist.
IMOGEN KOTSOGLO
PHYTO-
08 FEBRUARY 2020 - 29 FEBRUARY 2020
Mariaan Pugh, 'I Miss You Stephen, I Keep Watching Barbarella', 2019. Image courtesy of the artist.
MARIAAN PUGH
I MISS YOU STEPHEN, I KEEP WATCHING BARBARELLA
30 NOVEMBER 2019 - 21 DECEMBER 2019
Tarryn Gill, 'Exhibit A' (detail); 2019; mixed media including hand stitched fabrics, foam, artificial eyes, pipe cleaners, sequins, gemstones, feathers; dimensions variable. Image courtesy of the artist.
TARRYN GILL & THEA COSTANTINO
IN THERAPY
30 NOVEMBER 2019 - 21 DECEMBER 2019
Amy Claire Mills, 'Do I Need To Manage Your Grief', 2019, Mixed Media Textiles, 142cm x 202cm. Image courtesy of the artist.
AMY MILLS
CAN I PRAY FOR YOU
30 NOVEMBER 2019 - 21 DECEMBER 2019
Rachel Salmon-Lomas, 'Time Horizon: Carbon Book (With Extra Carbon)'
415 PARTS PER MILLION
15 NOVEMBER 2019 - 24 NOVEMBER 2019
Anna John, 'Sea Tooth', 2019, ceramics, low melt alloy, silicone, fluff, perspex, found objects, dimensions variable. Image courtesy of the artist.
ANNA JOHN
SEA TOOTH (VOTUM)
02 NOVEMBER 2019 - 23 NOVEMBER 2019
Maimunah Abdullah, 'Corymbia Ficifolia', 2019. Watercolour on paper, 60x48cm. Image courtesy of the artist.
MAIMUNAH ABDULLAH, RABIAH LETIZIA, ABDUL-KARMIN ABDULLAH, ABDUL-RAHMAN ABDULLAH, ABDUL ABDULLAH
KASEH IBU
02 NOVEMBER 2019 - 23 NOVEMBER 2019
Anita Cummins, 'Some kind of mood' (detail), 2019. Image courtesy of the artist.
ANITA CUMMINS
SOME KIND OF MOOD
02 NOVEMBER 2019 - 23 NOVEMBER 2019
Lisa Liebetrau, 'We can’t return we can only look behind (Detail)', 2019, Bon Marchè Ltd. chair. Documentation by Tim Palman.
LISA LIEBETRAU
PALATIAL STRUCTURE
05 OCTOBER 2019 - 26 OCTOBER 2019
Sacha Barker, 'Alphabet Grid Sheet 2', 2018, Acrylic ink on drafting film, 29.7 x 42 cm.
SACHA BARKER
(IN)TRANSLATION
05 OCTOBER 2019 - 26 OCTOBER 2019
Jack Caddy, 'About us', 2019, digital image, dimensions variable. Image courtesy of the artist.
JACK CADDY
MADE FROM PILLARS OF SPIT
05 OCTOBER 2019 - 26 OCTOBER 2019
Emily Murch, 'Fear & Comfort' (detail), 2019, cotton, lead, glass, polyester, dimensions variable.
EMILY MURCH
FEAR & COMFORT
07 SEPTEMBER - 28 SEPTEMBER 2019
Tim Meakins, 'Low Energy', 2019, 3D Render. Image courtesy of the artist.
TIM MEAKINS
LOW ENERGY
07 SEPTEMBER - 28 SEPTEMBER 2019
Leah Chidlow, 'Desire Lines', screen print on paper, 27 x 20 cm
CURTIN UNIVERISTY GRADUATION FUNDRAISER
PAY ME
07 SEPTEMBER - 28 SEPTEMBER 2019
Tom Freeman, 'Homemade handmade', 2019, mixed stoneware clays and glazes on found brick, 14 x 23 x 23 cm. Photo by Bo Wong.
TOM FREEMAN
BRICK
03 AUGUST 2019 - 24 AUGUST 2019
Esther McDowell/Yabini Kickett, 'Untitled', soft pastel, gold ink and natural dye
ESTHER MCDOWELL / YABINI KICKETT
KALA KOORLINY – GOING HOME
03 AUGUST 2019 - 24 AUGUST 2019
Tami Xiang, 'Peasantography Lucky 88', 2019, photographic print, 60 x 84 cm. Image courtesy of the artist.
TAMI XIANG
PEASANTOGRAPHY – LUCKY 88
03 AUGUST 2019 - 24 AUGUST 2019
Grace Wood, 'Lay Down', 2019. Digital print on cotton canvas. Courtesy the artist and LON Gallery, Melbourne.
GRACE WOOD
ERSATZ
06 JULY 2019 - 27 JULY 2019
Nathan Beard, Research details of wall murals from the Lacquer Pavillion in Suan Pakkad Palace, Bangkok, 2017.
NATHAN BEARD
WHITE GILT
06 JULY 2019 - 27 JULY 2019
Andrew Nicholls and Sion Prior, 'Lake of Fire' (detail), 2019. Production still from digital video, 6 minutes. Image courtesy of the artists.
ANDREW NICHOLLS AND SION PRIOR
HYMN
6 JULY 2019 - 27 JULY 2019
Lauren McCartney, 'Here, with a bang!' (still), 2019, Digital video (11: 27)
LAUREN MCCARTNEY
HERE, WITH A BANG!
08 JUNE 2019 - 29 JUNE 2019
Pip Lewi, 'suburban study', 2018, Texta, highlighter and pen on sketchbook paper, 21cm x 29.7cm.
PIP LEWI
SUBURBAN MUSINGS AND OTHER CURIOUS FINDS
08 JUNE 2019 - 29 JUNE 2019
Rebecca Orchard. 'Fragments Of A Shifting Landscape', 2016, Wood fired terracotta clay some with house paint (burnt clay), dimensions variable. Image Courtesy of the artist.
CASSIE LYNCH, REBECCA ORCHARD, ANDREW JAMES WILLIAMS, MEI SWAN LIM:
DEEP HERITAGE
08 JUNE 2019 - 29 JUNE 2019
Tessa Beale, 'Stir', 2018, digital image, dimensions variable.
TESSA BEALE, BINA BUTCHER & PHOEBE CLARKE:
DRIFTING PROXIMITIES
08 JUNE 2019 - 29 JUNE 2019
Liam Colgan, 'From Looking To Feeling (Immaterial)', 2018, digital image. Image courtesy of the artist.
LIAM COLGAN
FROM LOOKING TO FEELING
11 MAY 2019 - 1 JUNE 2019
Pascale Giorgi, 'Ficino’s Great Flood' (still), 2019, video, 4:08. Image courtesy of the artist.
PASCALE GIORGI
IT’S GOING TO BE OKAY BABY, YOU’LL BE REBORN
11 MAY 2019 - 1 JUNE 2019
Kate Webb, '666', 2018, sculpture, dimensions variable. Photograph by Bo Wong.
KATE WEBB & NATSUMI DE DIANOUS
WHAT CAN BECOME OF IT
11 MAY 2019 - 1 JUNE 2019
Kieron Broadhurst, 'The Island', 2016, video still (13:43). Image courtesy of the the artist.
KIERON BROADHURST
EXCESSION
6 APRIL - 4 MAY
Greg Molloy, 'Assembled Entities', 2019. Image courtesy of the artist.
GREG MOLLOY
ASSEMBLED ENTITIES
2 MARCH 2019 - 23 MARCH 2019
Peter Kozak, 'Streetlight' (still), 2019, 4K video, 2:43 minutes. Image courtesy of the artist.
PETER KOZAK
KNOW YOUR NEIGHBOURS
2 MARCH 2019 - 23 MARCH 2019
Marisa Georgiou, 'De-Marcating Space for the Pursuit Of (...)', 2019. Image courtesy of the artist.
MARISA GEORGIOU
DE-MARCATING SPACE FOR THE PURSUIT OF (...)
2 MARCH 2019 - 23 MARCH 2019
Connor Xia, ‘Melting Point’, (detail), 2019. Image courtesy of the artist.
FOLDING TOGETHER
2 MARCH 2019 - 23 MARCH 2019
Devon Ward, '/Reservoir of the Old Friends/', 2018, digital photograph
DEVON WARD
THE TEMPERING
1 FEBRUARY 2019 - 23 FEBRUARY 2019
Stephen Armitstead, 'Gallery Two' (detail), 2018, digital print & remnants, 50cm x 70cm
STEPHEN ARMITSTEAD
REMNANTS: FALSE IMPRESSIONS OF TIME & SPACE
1 FEBRUARY 2019 - 23 FEBRUARY 2019
Guy Louden, 'Sleek Memory V', 2018, laser etching on UV glass, copper, stainless steel, steel wire rope, 15x15cm.
GUY LOUDEN
NETWORK ARCHEOLOGY
1 FEBRUARY 2019 - 23 FEBRUARY 2019
Dalton Stewart, 'Scene' (detail), 2018, cuticle oil on aluminium, 30cm x 90cm. Photograph by Nina Gilbert.
DALTON STEWART
RUSH
1 FEBRUARY 2019 - 23 FEBRUARY 2019
Image: James Doohan & Bianca Sharkey, 'Astro Morphs, Ascension' (still), 2018, single channel video.
JAMES DOOHAN & BIANCA SHARKEY
ASTRO MORPHS ASCENSION
24 NOVEMBER - 15 DECEMBER 2018
Image: Tessa Rex, 'SEQUESTERED Chlorella experiment x', 2018, chlorella, filtered water, nutrients, conical flask.
TESSA REX
SEQUESTERED
24 NOVEMBER - 15 DECEMBER 2018
Image: Matt Aitken & Mei Swan Lim, 'Land Sale' (still), 2018, single channel video (12:00)
MATT AITKEN & MEI SWAN LIM
LAND SALE
24 NOVEMBER - 15 DECEMBER 2018
Image: Rebecca McCauley, 'Lake King (Nyaki-Nyaki)', 2018, photograph.
AARON CLARINGBOLD & REBECCA MCCAULEY
SPEAKING TO THE SURFACE OF A LAKE
24 NOVEMBER - 15 DECEMBER 2018
Natasha Lall, 'Plaid Shirt Pose [Take Me Home, Country Roads Triology]' (still), 2017, 04:44
MAYBE IT'S THE WEATHER
27 OCTOBER - 17 NOVEMBER 2018
Carla Adams, 'Body Form 3', 2018, Acrylic, ink, powdered pigment and mediums on board, 30 x 40cm
CARLA ADAMS
HEFT
27 OCTOBER - 17 NOVEMBER 2018
Emma Buswell. 'WITCH KIT: DIY Devices to assist young teen witches (I Asked the Cosmos for Advice and it Told me to Concentrate and Ask Again)' (detail), 2017, Textiles, yarn, fake gemstones, found objects, and acrylic. Photo by Jess Boyce.
MOANA PROJECT SPACE PRESENTS
LIGHT AS A FEATHER...
27 OCTOBER - 17 NOVEMBER 2018
Ash Tower, 'Studies of Nature', 2017, Honour board, lectern, bound book, dimensions variable.
ASH TOWER
PROTOCOL
29 SEPTEMBER - 21 OCTOBER 2018
VOLIM, 'Spele'. Photo by Nick FitzPatrick
VOLIM
VOLIM 02
29 SEPTEMBER - 21 OCTOBER 2018
Matt Brown, 'The Ol' Net Sea', 2018, WWW screenshot as 35mm slide, dimensions variable.
MATT BROWN
WORLD SHOWCASE ADVENTURE
29 SEPTEMBER - 21 OCTOBER 2018
Brent Harrison, Whoa there cowboy!, 2018, Golden Gaytime, Dimensions vary Documentation by Tim Palman
BRENT HARRISON
YOU CAN’T SEE RAINBOWS LOOKING DOWN
01 SEPTEMBER - 22 SEPTEMBER 2018
Luisa Hansal, 'Larinda' (still), 2018, performance documentation, 15:22
LUISA HANSAL
DEAD WEIGHT
01 SEPTEMBER - 22 SEPTEMBER 2018
Jesse Bowling and Sam Jackson, 'Algorithmic Chicanery', 2018, digital image
JESSE BOWLING & SAMUEL JACKSON
ALGORITHMIC CHICANERY – LIGHTSPEED SPIRITUALITY
01 SEPTEMBER - 22 SEPTEMBER 2018
Oliver Hull, 'Plan', 2018, digital image. Image courtesy of the artist.
OLIVER HULL
THE GIFT (MEANWHILE THOSE WHO COMPUTE THE WEATHER SHOULD BREATHE OF IT FREELY)
03 AUGUST - 25 AUGUST 2018
Paul Sutherland, 'Down Time', 2017, video still. Image courtesy of the artist.
PAUL SUTHERLAND
KEEPING BUSY
03 AUGUST - 25 AUGUST 2018
Eric C, 'Blue Imprint #2' (detail), 2018, Cyanotype print on silk, 113 cm x 97 cm. Photograph by Jess Boyce.
ERIC C
I'MPRINT
03 AUGUST - 25 AUGUST 2018